Tag Archives: Benediction

I’m Starting a Monthly Newsletter

One of the things self-published authors and other “content” creators struggle with is the constant need to feed the publicity machine. So, in addition to the usual social media outlets of Instagram, a Facebook Page, and this blog – I’m Starting a Monthly Newsletter.

One of those things where you have to opt-in and actually request it. (Here’s a link right here.)

A writer in the morning, wondering what he’ll dream up.

To (hopefully) prime that pump and quite frankly, bribe you to sign up is a free gift. (Wait, is that an oxymoron, aren’t gifts by definition, free?) In this case, it’s the original (and award-winning) screenplay of Kept, which is a yet-unmade movie I wrote about love, lust and real estate scams in Palm Springs.

This screenplay is also totally the basis for my novel Kept. So I’m hoping that if folks read the script – a fairly quick read of an hour or so — they might want to read other things I’ve written.

Ah, downtown Palm Springs, shown here at Gay Pride in 2013.

What will be in the Newsletter?

I’ll talk about current projects, novel-in-progress, that sort of thing, of course. I’ll remind readers of my books already written – Benediction, Benefits, The Forest Dark, Kept — and that salty memoir Wanderslut 1996: A Gay Road Trip Across America.

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Along with that, I’ll cover any ancillary writing things like events, books I’m reading or might recommend, writers I particularly like.

Filling the Well

Additionally, I hope to elaborate on what I do to “fill the well,” that is, fill my level of life experience that a writer needs to sustain imagination. I find that’s a constant challenge for me, to go out into the world and experience all that’s there and all that’s new for me personally (especially in the ongoing, and seeming never-ending, pandemic).

Perhaps I’ll throw in a recipe or two (if Mr. Bouie can do it. . .). And of course, there will be loads of photos, maybe even a few videos if I get thusly inspired.

So I hope you’ll sign up to get this monthly missive. Promise that you won’t hear from me more often than that, unless a book launch is imminent.

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Jim Arnold Books

Here’s a current list of my books, which I publish through Eureka Street Press.



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Working Biography for “Benefits” Character Karen Kling

National Librarians Day is coming up on April 16. This is a perfect time to highlight the working biography I wrote for “Benefits” character Karen Kling (since she is a librarian), who is main character Ben Schmidt’s best friend.

Working Biography Purpose

This is another in the series of working biographies I’ve posted for characters in my novel “Benefits“. She is not an original character for “Benefits”; she had a huge role in the predecessor book “Benediction.”

As with so many of the working biographies for fictional characters, I used this sketch to draw from but did not use all of it. Additionally, I invented other aspects of character not in the working biography at all. So it’s best thought of as resource and starting point.

Karen is very loosely based on someone in my real life, not a librarian but a (now retired) teacher. This is the working bio I concocted for her prior to writing “Benediction”:

Karen Kling Working Biography

Karen (Ben’s producer and confidante):

  • She wants the movie Hell for the Holidays to be a success, and a springboard for her to go on to other projects, with or without Ben, She wants to assist Ben as he’s going through Cancerworld, She wants to find out if her husband (Dennis) is having an affair, and if so, who with.
  • She has an off-again, on-again weight problem, yo-yo.
  • She’s 46, blond, blue eyes. SHE’S 55 IN THE SEQUEL.
  • She would shop at Macy’s, but not Nordstrom.
  • Her day job is as a librarian for the SF Main Branch public library.
  • Her desire is to become a movie producer. She caught the bug going to the Castro Theater for years.
  • Married to Dennis Carstens, who is chasing the dot-com boom in SF, and has made some good money at it. Karen drives a new Mini-Cooper that was paid for by this.
  • IN THE SEQUEL, KAREN HAS GOTTEN RID OF THE MINI AND HAS A TOP OF THE LINE PRIUS, BECAUSE THAT’S WHAT SOCIALLY RESPONSIBLE RICH PEOPLE IN SF DRIVE. SINCE BEN AND JAKE HAVE A BLACK ONE, KAREN’S IS RED.
  • She suspects that Dennis is having an affair (he is) and she’s really curious about finding out the source of this affair.
  • Karen’s a San Francisco native, that rare bird. Oddly, she’s not what you would expect, some “granola” girl with extreme leftist tendencies. She’s surprising “normal.”    
  • She loves Ben because he brings things to her life that she would never normally experience.
  • She’s also extremely nurturing, helping, and can very much be in charge and throw her weight around when she wants to.
  • She doesn’t talk much about her family of origin, though they are scattered about the Bay Area. Her parents are dead, her mother was sick for a long time and that really affected her having fun as a girl. She has a younger brother, Jim, and a younger sister, Peaches (nickname for Persephone) who has two children. Karen’s somewhat jealous in that she’ll never be a mother, “but that’s the choice Dennis and I made.” That’s a lie, they married too late to have kids.
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Like I’ve done with other working biographies, here’s a few rando photos from the Internet to illustrate what was in my mind when I thought of Karen (but blond):

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“Benefits” Working Biography of Character Danny Fernandez

Here’s another in the series of working biographies I’ve posted for characters in my novel “Benefits“. This working biography is for Ben’s sidekick Danny Fernandez. He is an original character for “Benefits” in that he did not appear in the predecessor book “Benediction.”

As with so many of the working biographies for fictional characters, I used this sketch to draw from but did not use all of it. Additionally, I invented other aspects of character not in the working biography at all. So it’s best thought of as resource and starting point.

We’ve all had coworkers we grew to be fond of and depend on in various jobs we’ve had. I don’t think I drew on specifics of any of those people for this working biography, but the spirit is there.

Danny Fernandez

“He is 29. Has Latino background, dark brown hair and eyes, 5’6”. He’s a cub, enthusiastic baby bear. Danny’s an aficionado of what remains of SOMA’s underground gay sex culture. Fetish, gear, leather etc., and does lighting and other behind-the-scenes stuff on wild porno, think Treasure Island Media. His unstated dream is that he wants to be a conventional filmmaker. He has a steady boyfriend, an older bearish guy. They live together. Ben calls the boyfriend BEAR MOUNTAIN, somewhat condescendingly or at least in a teasing manner. His real name is something innocuous, like John Ralston.  Danny is also an acquaintance of Tony Ochoa; occasionally they’ve gone after the same guys.”

The working biography in this case is this short. The relationship that evolved during the course of the writing was that of a zany work duo, and probably owes as much or more to my memories of Lucy and Ethel as it does to anything in the gay world. Sisters, out to solve a harebrained scheme.

Here are a couple of images pulled from the Internet to illustrate how I conceived Danny:

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“Benefits” Working Biography of Glenda Bourne

Here’s another in the series of working biographies I’ve posted for characters in my novel “Benefits“. This working biography is for antagonist Glenda Bourne, who also appeared first in the novel “Benediction“.

As with so many of the working biographies for fictional characters, I used this sketch to draw from but did not use all of it. Additionally, I invented other aspects of character not in the working biography at all. So it’s best thought of as resource and starting point.

For some reason, when writing Glenda, I had the image of Princess Diana in my head. Though I clearly state Glenda had long hair, was from South Africa, etc. I think it’s because at the time of writing her initially, I worked with a Brit who had a Diana haircut. So I offer these photos of Diana with short hair channeling Glenda Bourne:

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Glenda Bourne Working Biography

Glenda Bourne is Ben’s film editor, that’s the starting point of their relationship.

She wants a Baby – but, she’s a single lesbian and she doesn’t want a relationship with a man, she just wants some good sperm!

            Glenda is a lesbian, 37 years old, originally from Capetown, South Africa, has lived in SF for almost 10 years. Film editor. Highly regarded in the Indie production community. Lives in small apartment in the Tenderloin, off of Ellis street (note, she moved to Haight in the sequel, to a place on Steiner.)

            She’s 5-7, long brown hair, which she often keeps in a ponytail or up on top of her head. She has brown eyes, always seems to have a tan, like she’s outdoorsy, which is odd in SF. She must spend a lot of time in Marin or some other sunny place. She is fit, not fat and not skinny.

            She has a lot of anger, and is not the most pleasant person to be around. But she can be persistent and even sweet when she has to, to get something she wants. She originally came to SF rather than LA or NY (more traditional centers for film editing) because of the lesbian scene. But, sadly for her, she’s been unable to really connect with one woman for any long-term thing. She’s had lots of girlfriends, but nothing has seemed to stick.

            Now she has angst, because of her age, the ticking clock, and she really wants a child. She’s estranged from her family in S. Africa, perhaps there was some abuse at home growing up.

            Her respect for Ben is mostly put-upon, she pretty much thinks his film Hell for the Holidays is shit. It was her ex-girlfriend CJ at Film Artists Foundation who referred Ben.

            Her opinion of him has changed recently since she now sees him not as a filmmaker to deal with, but as a sperm factory she can order from.

In the sequel, “Benefits”, Glenda has a car. It’s an SUV. Older, say 1998 black Ford SUV Explorer.

Cover of Jim Arnold's "Benefits" is a street scene in Cole Valley, San Francisco, used here in blog post Glenda Bourne Working Biography.
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In the Novel “Benefits”: Two Truths and a Lie

Here’s a little teaser for your day. I’m going to give you three statements about my new novel Benefits; two truths and a lie. Can you figure out where I’m fibbing?

If not, you may have to read the book. If so, you should read the book anyway to enjoy the circumstances of the statements that are true.

Statement #1

Protagonist Ben Schmidt seems to have a definite love/hate relationship with work. In fact, this guy can’t seem to hold a job. His ego most often gets in the way, and it’s a major character flaw. Good thing he has partner Jake to pick up the pieces! In fact, Ben lost his jobs in both the first novel Benediction (marketing exec) as well as in the sequel Benefits (office furniture salesman).

Cover of Jim Arnold's "Benefits" is a street scene in Cole Valley, San Francisco, used here in blog post two truths and a lie.
Street in Cole Valley, San Francisco, on cover of Jim Arnold’s Benefits

Statement #2

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Ben’s mother, plumbing company heiress Margaret Kanner Schmidt, decides to move to San Francisco as she’s nearing 80. She surprises Ben by doing this, leaving her beautiful home on the shores of Lake Michigan for an uncertain West Coast future. But even more than that, Ben is shocked when Margaret meets and marries Davis Sternberg, who not only is a younger doctor who treated Ben in Benediction, he’s also a bisexual man Ben had an affair with.

Photo of 16th and Utah Street in San Francisco, where novelist Jim Arnold imagined Jake Brosseau's Gallery was located, used in blog post two truths and a lie.
The San Francisco location I had envisioned for a Jake Brosseau Gallery (16th and Utah)

Statement #3

In stark contrast to Ben and his ongoing work dramas, other half Jake Brosseau seems to continue to move up that ladder of life without obstruction. From a part-time job designing window displays for a high-end men’s store, to repping edgy street artists to finally having his own art gallery, Jake has a lot of success. Even when his current enterprise faces economy-related problems in Benefits, a wealthy colleague comes to the rescue to bankroll yet another venture in a new, even better location.

Figure It Out?

So, did you figure out which are the two truths and which is the lie? Good for you! If not, read the book! Hey, even if you did, also read the book. Till next time. . .

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“Benefits” Backstory Element: Prostate Cancer

One of the major backstory elements in my novel “Benefits” is the fact that the main character, Ben Schmidt, is a prostate cancer survivor.

“Benefits” is a sequel to my first novel “Benediction.” (Although I don’t think it’s required reading to understand “Benefits,” I’m sure it helps.) That first novel was written as a way for me to process what was going on with my body. Indeed, I am a prostate cancer survivor myself.

Why “Benediction”

I’d written creatively prior to the novels — but the fiction was limited to movie and TV scripts. I didn’t think my cancer story lent itself to those forms. Hence, “Benediction.” The action in that novel is primarily the story of Ben Schmidt working his way through prostate cancer treatment. Of course, there’s a few side plots involving sex, work intrigue, family relationships, and what not. Did I mention there was sex?

The cover of Jim Arnold's novel "Benediction" prior to a reading at the now-gone Different Light Bookstore in San Francisco, 2009.
“Benediction” on display before a reading at the (now gone) Different Light Bookstore on Castro Street in San Francisco.

Why “Benefits”

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Sex and lots of it. Because I like it and also because that’s one of the things that changes a lot for men post-prostate cancer. Thus, while “Benediction” took Ben through diagnosis and treatment of his cancer, “Benefits” follows Ben in the aftermath. As in: what is it like to live with the long-term effects of incontinence and ED (erectile dysfunction)?

So in “Benefits,” these side effects are just ongoing parts of Ben’s persona. They’re the things he deals with every day. Should he drop an erectile dysfunction pill in his pocket just in case the opportunity for sex presents itself? Will he be doing something sufficiently physical (working out, walking a lot or standing for a long time, etc.)? Stuffing a thin incontinence pad in his underwear might be a really good idea.

Those are just two of the realities former prostate cancer patients endure. In presenting a character that has this history, I hoped to enlighten those who are unaware as well as acknowledge those of us who live as prostate cancer survivors.

Cover of Jim Arnold's novel "Benefits" shows a street scene on Cole Street in San Francisco.
The hero of “Benefits” is a prostate cancer survivor. But heck, it’s mostly a comedy!

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Choosing a Book Cover for “Benefits”

As a self-published author, it’s not only the story inside the book that comes from me. It’s literally everything about the product. Thus, a number of variables had to be considered when choosing a book cover for “Benefits.”

One consideration is color. Not only the color itself, but choice between color or a black & white image. While red remains the best color to catch the eye (hello, stop signs) this cover’s closest approximation would be variations on that, heading into orange territory.

The cover of Jim Arnold's 2019 novel "Benefits," a street scene in Cole Valley in San Francisco.

Content of Cover Image

The actual content of the image also plays a significant factor in choosing a book cover. This image is a sidewalk scene on Cole Street in San Francisco. The fictional story in the book takes place in San Francisco, and there are a few scenes in this particular neighborhood, Cole Valley. I felt it was accurate in that sense. Also, it shows some iconic San Francisco-style architecture (bay windows and early 20th century detail), so that it’s fairly obvious what city we’re in. That’s intentional.

Sales Venue for “Benefits”

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Another consideration in choosing a book cover in this digital era is the sales venue. For most self-published books, the online market is really where it’s happening, not in brick and mortar bookstores (unfortunate, but that’s the way it is). So, whatever image you choose must draw the eye on a computer or phone screen, sometimes in a field of many other similar-sized book covers. That’s where a striking image or a color that pops (again, red!) really helps you.

I think the cover I chose for “Benefits” is mid-range in that regard. The image is interesting, but it’s not a hot naked body (it’s true, sex really sells). The awning color attracts the eye, yet it’s not a fire engine.

Cost of “Benefits” Book Cover

For self-publishers, cost is a huge factor. The cost of everything, from having your manuscript professionally edited (typically my highest cost over the course of the four books I’ve published so far) to buying photography or rights to an image for the cover must be considered. So, I took the picture myself and cropped it so that there’s no identifiable faces in the image.

So, basically, the cost of the cover for “Benefits” were my travel costs for a couple of days in San Francisco (I live in Los Angeles). One way was award jet travel, and I had a free place to stay (thank you, cousin Mary). Plus, I not only shot the cover image. I shot video for the “Benefits” book trailer and probably 100 other images to use for publicity purposes.

When you self publish, every day and every dollar counts. I’ve learned this the hard way!

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National Boyfriend’s Day – Character Biography of Jake Brosseau from “Benefits”

National Boyfriends Day is October 3, 2019, so it’s a perfect time to clue readers in on the working character biography I wrote and used when constructing Ben Schmidt’s sexy boyfriend/spouse Jake Brosseau.

This morphed over time as I wrote the first book where he appeared as a sexy neighbor (Benediction) and then, they became a couple and time passed and as it is in real life, the fictional character changed a bit and grew. There is no real-life Jake in my life, though there was a sexy person in San Francisco that provided an initial “spark.”

Here’s what I used for Jake Brosseau:

Jake Brosseau Character Biography

Jake (Ben’s boyfriend) Sketch character biography:

  • He wants to keep Ben as his life partner
  • He wants to sell some of his paintings, gain some notoriety as an SF artist.
  •  Jake is 39, a few years younger than Ben. Afraid of turning 40. He’s HIV positive, and has been for 10 years or more. He’s about 5-10, reddish brown hair, green eyes, tan, hairy body, naturally muscular, very, very attractive. Family was French Canadian who came to California for Gold Rush, so he grew up in the foothill area, a very redneck area where his family still lives. He did not fit in. LAST NAME IS BROSSEAU.
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      His job is as a display and window dresser for a Wilkes Bashford type place (I call it Sloane & Bradford), the tony men’s store in Union Square. He’s also a freelance interior designer, and he hopes someday to have his own business doing that and stop the store work. He’s got a very interesting style, it’s unusual so he gets unusual clients.

      Jake is quite artistic and has a really good sense of himself, which is what attracted Ben to him overall. He’s like a rock. Although at times, he too can be temperamental and just blow up, which always comes as a surprise.

      He’s afraid of the HIV and that he may someday get really sick although the meds have worked so far. Sometimes he has reactions to his meds. Perhaps initial SIDE EFFECTS of protease inhibitors. (i.e., choose from lipodystrophy, nausea/vomiting/diarrhea, neuropathy, high levels of cholesterol and triglycerides)

      His mother is dead. His father lives on a small farm and is an alcoholic. He doesn’t grow anything, he collects social security. He has two sisters, one lives in Santa Cruz, the other lives in the Philadelphia area. He talks to them on the phone a lot, he’s quite close to them. He’s the youngest.

      Jake, being so attractive, has had many men in his life. He moved to the Castro when he was still a teenager and has really grown up there, through the AIDS crisis of the 80s and is a survivor (perhaps he heard the siren song of Harvey Milk, who famously said, that if you live in a homophobic area, you can “always move to San Francisco”). He also projects that survivor’s strength and wisdom through his quiet demeanor which attracts people to him.

      On the street, he knows everybody. That both fascinates Ben and makes him jealous.

10 years later, for “Benefits” – Jake finally does have his own gallery. It’s called Jake Brosseau, just his name, because, you know, he does know everybody. It should be in SOMA, somewhere trendy. Let’s put it on Utah Street, near where Dolby was, near 16th and Utah. Where there are bow & truss buildings that house art galleries. He has a car now. It’s a black Prius.

So that’s what I worked from – obviously it’s a sketch, and didn’t use all of it but it’s there to mine if necessary. There’s a lot more to Jake, I hope to let that get out in another “Ben” book.

Goodreads Giveaway:

Goodreads Giveaway active until October 14, 2019. Enter here.

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“Benefits” Locale: Duboce Triangle



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The text to the Instagram post reads: Ben Schmidt often walks through the pleasant Duboce Triangle in his way to the Haight in my novel “Benefits.” (I also loved that are when I lived in #SF) Link in bio. #novel #lgbtq #gayhumor #gayfamily

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