Tag Archives: Palm Springs Shortfest

More from ShortFest: Wagah and Glenn Close’s Pax

Last in the series of short films I happened to see, now months ago (well, it was June and I’ve been busy) at the Palm Springs ShortFest that I liked. Both films (both docs) tie into a war theme, though neither explicitly.

Wagah

Still from Wagah

This is an award-winning short from Germany (Supriyo Sen) that shows the ceremonial changing of the guard at the India/Pakistan border. It’s part state ceremony, part street festival, part dance performance. Pilgrims (tourists?) from each side come to sit in bleachers and watch the spectacle. For me, this reinforces the power of music, dance, spectacle and athletics to bring people closer together. If these two countries can find joy on the border, who knows what might happen?
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Pax

A documentary by Glenn Close and Sarah Harvey about a dog (Pax) – trained in a prison program at Bedford Hills Correctional Facility for Women – to be a companion for an Iraq war veteran who was disabled with brain injuries and PTSD. It shows the remarkable capacity animals have to affect us, not the least of which is bringing together humans who couldn’t be more apart on the social strata. Not a dry eye in the house – you know, kids and dogs do it every time.

Pax

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Two Subway Shorts: Touch and Subway Harmonies

Also from the Palm Springs ShortFest, two little movies that take place in the subway. In the 20 minutes inclusive that these films inhabit, there’s some serious emotional landscapes we cross with the female protagonists.

In “Touch,” (Jen McGowan, 2010) two women meet on the subway. The first woman we see is middle-aged, and appears worried or distraught. She’s too close to the platform edge. We’re worried for her. A chatty young woman joins her. She seems self-absorbed, anxious about the job interview she’s headed to. Will she understand what the stakes are for the older woman, right then and there, as we hear the ominous sounds of the train approaching?

still from Touch

Touch review

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In “Subway Harmonies,” (Leah Cameron, Canada, 2010) a fellow traveler has a secret. And it’s an amazing, fabulous one that slowly unfolds to us as we see her otherwise mundane Toronto day. Like Cinderella or the ugly duckling turning into the swan, Mrs. Wong transcends the ordinary to enrich us all.

still from Subway Harmonies

Subway Harmonies

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Cohen on the Bridge: Rescue at Entebbe

Back to shorts I liked from ShortFest, part of the Palm Springs International Film Festivals.

“Cohen on the Bridge” refers to someone who arrives to save you from certain death. It’s a quirky phrase that means a great deal personally to the family of filmmaker Andrew Wainrib, who had relatives saved by one European “Cohen on the Bridge” during World War II.

This short is a black and white computer animated documentary about the 1976 Entebbe rescue, where Israeli Jews were held hostage at the airport in Uganda. This is a true life guns and planes hero story, better than any summer blockbuster because it’s true. The film builds so well, it had me on the edge of my seat for all 21 minutes. I also loved how the filmmaker personalized the story and brought us back at the end to the importance of “Cohen on the Bridge” and, by extension, that we all have Cohens in our lives. See it if you get a chance. The technology to do this is awesome. Here’s a video on the making of the film.
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[youtube=http://www.youtube.com/watch?v=Sy4KTF3tAG8]

Cohen on the Bridge website

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Palm Springs Shortfest – Some Shorts I Saw

Better late than never: I volunteered at this year’s Shortfest in Palm Springs, and in the process, got to within hugging distance of James Franco.

James Franco

Alas, I did not get to hug Mr. Franco. I did, however, get to see some of the shorts, so I thought I’d say a thing or two about them here. Honestly, I am sorry this is so late, I mean, this festival ended almost two weeks ago. I’ve been depressed and scattered; I’m hoping a regularity in blogging, if I can find it, will alleviate the introspection.

[youtube=http://www.youtube.com/watch?v=kyUWxV2rY-c]

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From New Zealand and James Cunningham, an interesting GCI film about two Kiwi soldiers in the WWI trenches who find a live baby. And of course, what they do with the baby. I liked the message and the overall feel of the movie. Always assumed that trench warfare was no picnic, and this little movie does nothing to dispel that notion, nor should it. The only question I bring up is why CGI? I think the story, effective as it was, would have been more wrenching if we’d had actual actor faces to look at. I have some bias, of course, as I’m always thinking about employment in Hollywood and here are several roles that went to pixels. But don’t let that remark keep you from watching it when you get a chance. It’s quite good.

Born Sweet, 29 minutes

On the site link above is a trailer – I was unsuccessful on posting it directly here. This is a short film that told me about something I had no idea even went on – a huge problem of arsenic poisoning from wells dug by well-meaning aid groups in Cambodia. They actually made the lives of the people living in the areas they served so much worse by introducing this toxic substance into the water system. The film tells this story through the eyes of Vinh, a 15-year-old boy (who to me looked more like he was 10 or 11) and his daily struggles with the poisoning. The highlight is when he gets to video a karaoke for the country on the dangers of drinking the wrong water.

Gorgeously filmed, Born Sweet also fulfilled a major mission of the documentary form, which is to teach – as well as entertain, at least in this case. Filmmaker Cynthia Wade won an Oscar for Freeheld.

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