Tag Archives: background actor

How the Great Recession Inspired My Novel “Benefits”

Remember the Great Recession? It was hard to miss and for some of us, it’s never really ended. My mom used to say that when life deals you a lemon, make lemonade. So I used the Great Recession to inspire ideas for my novel “Benefits.”

How the Great Recession inspired Jim Arnold's new novel "Benefits."

I’ve never worked full time since that last layoff, which was right at the end of 2009. I was the Director of Communications at the local branch of a national non-profit. The powers that be axed of the entire statewide Comms staff all at once (there were only four of us). In retrospect, I’m surprised it lasted as long as it did — the non-profit had been hemorrhaging jobs since early 2008.

My Recession Jobs

Conveniently, in 2010, Census jobs were available (I really can’t believe that’s upon us once again — it seems like yesterday, truly), so I walked the hot pavement of Palm Springs as an enumerator for awhile, as well as got some freelance writing gigs, as well as some background acting work — but the job from the Great Recession that inspired my novel “Benefits” the most was working at an antique store (which I still do, part-time as of this post).

Antique Store Becomes Office Furniture Outlet

The antique store inspired Refuge, the made-up office furniture store in Benefits. Plot details at the store are, of course, fictional. The very idea of a former Comms exec (Ben Schmidt) working in retail, however, comes from real life. As a writer, I’ve learned that personal circumstances of many kinds can go a long way in filling up that crucial well of ideas every writer needs to draw on.

This is just one small example — obviously there’s more to the plot than just the store. There’s polyamory, white collar crime, children and family issues — but that’s how this part of the Great Recession inspired “Benefits.”

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The Strange Case of Assumed Heterosexuality in Background Actor Work

a quick self-pic requested of me awhile back for a stand-in role; alas, I was not chosen.

The blogger taking a quick self-pic requested awhile back for a
stand-in role; alas, I was not chosen.

Yet again the other day I did a background actor (aka “extra”) job on an enormous hit show (which I won’t mention because I’ll never work in this town again if I do).

And yet once again when I was there on set I was paired with a nice older lady who’d be my “wife” for the day.

This has happened (this kind of pairing) on numerous jobs. The expectation that you’d be part of a heterosexual couple. And along with that, the implicit denial that there’d ever be homosexual couples (as in, it would be just as easy for the AD troops to pair up same-sex extras as it is to pair up opposite-sex ones) in the background of any scene.

I can’t really blame the often famous and lavishly decorated writers/producers/creators of these shows, who often may even have significant LGBT characters or romances in the principal storylines.

It’s usually the ADs (assistant directors) who devise the background blocking, if any, and put the extras at their locations in the set and give them actions to do. Most of these are guys (some women too, but mostly men) in their 20s who probably can work 18 hours straight without complaining; perhaps these pairings are the most expeditious or what they think their bosses would want. Surely, say, if the “location” were a hospital emergency room waiting area, there’d be groupings of all varieties, including gay couples or families.
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Right? I still remember my favorite remark during pairing-up, when on one show I was coupled with a nice looking woman about half my age. “You got a young one,” this (older) lady said to me, with a sly, heavily mascara’d wink. You’re right, honey, I did! Next time, let’s try a young guy with dark eyes and some stubble. Then we’d be talking.

Links for those who want to do this:

Central Casting

Commercial Extras

 

 

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My Year of (Under)employment, Job 1: Background Actor

After I slapped myself in the face, trying to stay awake

As the year rapidly comes to a close, I figured I should contemplate, in retrospect, what I have done/haven’t done with those hours, days, weeks and months.

Sure, some if it was spent scouring craigslist, indeed.com, mediabistro and other sites for job listings that turned out to be meager. However, a considerable amount of time was actually spent doing part-time work.

The first job I got after lay-off was that of Background Actor. I had signed up with Central Casting at other times in my life, and had done a few jobs, and generally liked it. I figured since I was older and grayer now there’d be less competition in my demographic – what I remembered from the cattle calls in Burbank was that the vast majority of people wanting to be “extras” were between the ages of 18 and 30.

Perhaps one instance in which age worked in my favor?

This time I also signed up with a calling service that would book me so I didn’t have to spend hours each day using precious minutes on my cell listening to annoying casting directors rant. I got an age break here, too: since I was such a fossil, the monthly fee was reduced! Take that to Denny’s for your lunch.

I did a few movies, a few TV series, a couple of pilots – probably the only one you’ve all heard about is Entourage. I played the crucial role of a hospital administrator in the season finale. I was issued a badge and clipboard of my own.

I noticed a couple of things I hadn’t remembered from earlier stints at this: the pros bring their own foldable lawn chairs – or chaises in some cases. They get the best “base camp” spots. Background actors tend to segregate themselves as to age group – so there was no way I was going to infiltrate the cool kids camp – sort of like high school. Straight guys my age, unfortunately, tend to be blowhards who want to talk about politics or how bad this or that is, instead of more fun and youthful topics, like dick, what the leading lady is wearing, of figuring out the sexual orientation of the entire cast.

When I moved to Palm Springs, I stopped this work as the commute just didn’t make any sense. When I’m back in L.A., good chance I will sign on again.

What I liked about this work:

  • Insanely easy. If you can follow simple directions as to what to wear, how to get there, and what time to show up, you can succeed at this job.
  • It’s fun. I love playing pretend, I love even being on the fringes of acting. Doesn’t everyone?
  • Truly temporary. Your job ends when you leave for the day.
  • They pay quick, usually within a week or so.
  • There’s free food. Beyond craft service, they give you actual meals, many of which were quite elaborate, considering.
  • There’s really a lot of downtime where you can do other things: flirt, read the paper/book, work on your script or novel on your laptop. Yes, everyone brings laptops now.
  • The AD’s. That’s assistant director, the person(s) who control the set. Without exception, in my experience these were professional, competent and enthusiastic people who treated us great.

What I didn’t like about this job:

  • The hours suck. To make the takeaway non-union wage of about $100 a day, you got to work about 12 hours and maybe get lucky enough for meal penalty payments and other little bumps. If for some reason they let you go early, you might only get your minimum wage of $64 a day. Also, the call times are usually quite early in the morning. This didn’t bother me much as I’m an early riser.
  • The pay sucks. See above. Then again, it’s really easy and you’re just sitting on your ass most of the time.
  • You have to provide your own wardrobe. Which seems counter-intuitive – as if, we’re doing this as a lark! We’re all fucking poor, out of work or just out of school, and don’t have hugely diverse wardrobes full of many “looks” and “colors”! I learned that you can just bring what you have, and if they don’t like it, they give you something from the wardrobe truck after belittling you for not having the right clothes. “What do you mean, you don’t have a camel trench coat? What’s wrong with youuuuuuu?”
  • You have to be available. You never know if you’re going to work the next day or not, but you have to assume that you are, so you can’t really plan anything (unless you’ve notified your calling agency in advance). This was difficult to get used to, and once I was not able to “accept my booking” and got put on probation! A scarlet letter! Again, it’s like being in high school.

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Unemployment Post: Extra Extraordinaire

Central Casting in Burbank, California

Along the unemployment slog/blog… So I figured I would, once again, register for background actor work. I’ve done this before, at least twice, but both time was severely stymied by the requirement that the “extra” must call in and listen to taped messages to find work.

I am way too lazy to do that.

This time, I knew that would not work, as I got rid of my land line telephone a couple of years ago and I certainly don’t have enough minutes on my mobile to listen to those long, long winded tapes from Central Casting. So…. I registered with a calling service that will book me and I pay them a monthly fee for this. Not bad, except that once you say you are available, it’s like being on call and you can’t make any plans until you know what the next day will bring. At the present time, this is not a problem, since I don’t have another job.

So far I’ve worked two jobs. I want to talk about them, but also need to have them remain somewhat anonymous/murky, since I don’t want my background actor career to be torpedoed right away. I can say that both were for television. One was a pilot, this being pilot season, with a very recognizable star. It was shot in downtown Los Angeles which was doubling for a very large, east coast city. Guess which one?

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Here’s a handy phone picture of me in my suit acting up a storm (actually, trying to stay awake).

Stay Awake Please Jim

The other role I played was that of Restaurant Patron, with which I figure I am well-qualified. I was supplied with a female partner-for-a-day, my television wife! In the fake restaurant, we were seated near the piano, which was fortuitous, and we may even end up on camera because of some musical shenanigans going on.

The longest dinner I ever encountered – 12 hours worth of pretend eating. The food was real. The ice cubes were fake, however. Hopefully, I’ll get more to report in future blogs. If I can stay awake.

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